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1 projector apparatus
English-Russian dictionary of mechanical engineering and automation > projector apparatus
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2 projector apparatus
Автоматика: проектор, проекционный прибор -
3 projector apparatus
• projektor -
4 apparatus
1) аппарат; установка2) устройство; приспособление•- alignment sensing apparatus
- articulating swivel apparatus
- ATC apparatus
- automatic marking apparatus
- automatic tool changing apparatus
- automatically operated apparatus
- balancing apparatus
- belt-machining apparatus
- bridge apparatus
- burn test apparatus
- calibrating apparatus
- case drawing apparatus
- charging apparatus
- chip flushing apparatus
- chuck apparatus
- computer numerically controlled apparatus
- control apparatus
- coordinate measuring apparatus
- cutoff apparatus
- deep drawing testing apparatus
- definite time-lag apparatus
- double-cut apparatus
- drafting apparatus
- dressing apparatus
- drilling apparatus
- dust exhaust apparatus
- dynamic balancing apparatus
- eccentric apparatus
- EDM apparatus
- electrochemical grinding apparatus
- evaporation apparatus
- external grinding apparatus
- feed apparatus
- feed screw apparatus
- feeding apparatus
- finish rolling apparatus
- finishing apparatus
- flow-measuring apparatus
- flushing apparatus
- fluting apparatus
- flux apparatus
- foaming test apparatus
- grabbing apparatus
- grinding apparatus
- guide apparatus
- hacksaw apparatus
- hoisting apparatus
- indexing apparatus
- inspection apparatus
- interference measuring apparatus
- internal grinding apparatus
- jet apparatus
- jig table apparatus
- laser machining apparatus
- laser processing apparatus
- laser welding apparatus
- lifting apparatus
- lift-measuring apparatus
- line following apparatus
- locating apparatus
- long-hole boring apparatus
- material-handling apparatus
- measuring apparatus
- mechanical scarfing apparatus
- monitoring apparatus
- mounting apparatus
- multiple drilling apparatus
- multiple head drilling apparatus
- NC apparatus
- numerical control apparatus
- oil-dropping apparatus
- optical apparatus
- passive grabbing apparatus
- pick up apparatus
- polygon-cutting apparatus
- polymerization apparatus
- positional-sensing apparatus
- processing apparatus
- profiling apparatus
- programing apparatus
- projection apparatus
- projector apparatus
- pulse switching apparatus
- pulsed laser evaporation apparatus
- radius dresser apparatus
- recording apparatus
- roundness-checking apparatus
- sand-blasting apparatus
- saw-grinding apparatus
- sawing apparatus
- saw-setting apparatus
- sensing apparatus
- shuttle apparatus
- single-cut apparatus
- sizing apparatus
- smooth rolling apparatus
- smoothing apparatus
- solding apparatus
- spindle apparatus
- spindle-keylock apparatus
- spindle-keylocking apparatus
- sputtering apparatus
- stereolithography apparatus
- stylus apparatus
- summation apparatus
- switch apparatus
- swivel apparatus
- tapping apparatus
- testing apparatus
- tool storage apparatus
- tool-positioning apparatus
- tracking apparatus
- transfer apparatus
- tube cutoff apparatus
- turret apparatus
- unmanned diagnostic control apparatus
- vibration-measuring apparatus
- warning apparatus
- welding apparatus
- work changing apparatus
- workpiece identification apparatus
- workpiece storage to worktable shuttle apparatus
- workpiece-changing apparatus
- workpiece-exchanging apparatus
- workpiece-positioning apparatus
- workpiece-processing apparatusEnglish-Russian dictionary of mechanical engineering and automation > apparatus
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5 projection apparatus
= projector apparatus проектор, проекционный приборEnglish-Russian dictionary of mechanical engineering and automation > projection apparatus
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6 slide
1. past tense, past participle - slid; verb1) (to (cause to) move or pass along smoothly: He slid the drawer open; Children must not slide in the school corridors.) deslizar2) (to move quietly or secretly: I slid hurriedly past the window; He slid the book quickly out of sight under his pillow.) deslizarse
2. noun1) (an act of sliding.) deslizamiento, desliz2) (a slippery track, or apparatus with a smooth sloping surface, on which people or things can slide: The children were taking turns on the slide in the playground.) tobogán3) (a small transparent photograph for projecting on to a screen etc: The lecture was illustrated with slides.) diapositiva4) (a glass plate on which objects are placed to be examined under a microscope.) platina, portaobjetos5) ((also hair-slide) a (decorative) hinged fastening for the hair.) pasador•- sliding door
slide1 n1. tobogán2. diapositiva3. pasadorslide2 vb resbalarse / deslizarsetr[slaɪd]2 (in playground) tobogán nombre masculino4 (photo) diapositiva5 (of microscope) platina, portaobjetos nombre masculino6 SMALLMUSIC/SMALL (on instrument) vara, corredera1 (gen) deslizar, pasar; (furniture) correr1 (slip deliberately) deslizar, deslizarse; (slip accidentally) resbalar2 (move quietly) deslizarse3 SMALLFINANCE/SMALL (fall) bajar\SMALLIDIOMATIC EXPRESSION/SMALLto let something slide no ocuparse de algo, tener algo abandonado,-aslide projector proyector nombre masculino de diapositivasslide rule SMALLMATHEMATICS/SMALL regla de cálculoslide show proyección nombre femenino de diapositivas1) slip: resbalar2) glide: deslizarse3) decline: bajarto let things slide: dejar pasar las cosasslide vt: correr, deslizarslide n1) sliding: deslizamiento m2) slip: resbalón m3) : tobogán m (para niños)4) transparency: diapositiva f (fotográfica)5) decline: descenso mn.• corredera s.f.• cursor s.m.• deslizadero s.m.• diapositiva (OPT) s.f.• portaobjeto s.m.• resbaladero s.m.• resbalón s.m.v.(§ p.,p.p.: slid) = correr v.• deslizar v.• desvarar v.• escurrir v.• resbalar v.
I
1. slaɪd(past & past p slid slɪd) intransitive verb1) ( slip) ( deliberately) deslizarse*; ( accidentally) deslizarse*, resbalar(se)2)a) (move smoothly, glide) (+ adv compl)b) sliding pres psliding door — puerta f corrediza
2.
vt (+ adv compl)
II
1) (in playground, pool) tobogán m, resbaladilla f (Méx), rodadero m (Col), resbalín m (Chi)2)a) ( action - accidental) resbalón m, resbalada f; (- deliberate) deslizamiento mb) ( decline in prices) bajón m3)a) ( Phot) diapositiva f, transparencia f, filmina f; (before n)slide projector — proyector m de diapositivas
slide show — proyección f de diapositivas
b) ( for microscope - glass plate) portaobjetos m; (- specimen) muestra f[slaɪd] (vb: pt, pp slid)1. N1) (in playground, swimming pool) tobogán m3) (=landslide) corrimiento m de tierras, desprendimiento mthe slide into chaos/debt — la caída en el caos/en la deuda
6) (Phot) (=transparency) diapositiva f, filmina f8) (Mus) [of trombone] vara f ; (for guitar) cuello m de botella, slide m2. VI1) (=glide) deslizarse; (=slip) resbalarthey were sliding across the floor/down the banisters — se deslizaban por el suelo/por la barandilla
I slid into/out of bed — me metí en/me levanté de la cama sigilosamente
- let things slide2) (=decline)3.VT4.CPDslide guitar N — guitarra f con cuello de botella, guitarra f con slide
slide-magazine N — (Phot) cartucho m or guía f para diapositivas
slide projector N — (Phot) proyector m de diapositivas
slide rule N — regla f de cálculo
slide show N — (Phot) exposición f de diapositivas
* * *
I
1. [slaɪd](past & past p slid [slɪd]) intransitive verb1) ( slip) ( deliberately) deslizarse*; ( accidentally) deslizarse*, resbalar(se)2)a) (move smoothly, glide) (+ adv compl)b) sliding pres psliding door — puerta f corrediza
2.
vt (+ adv compl)
II
1) (in playground, pool) tobogán m, resbaladilla f (Méx), rodadero m (Col), resbalín m (Chi)2)a) ( action - accidental) resbalón m, resbalada f; (- deliberate) deslizamiento mb) ( decline in prices) bajón m3)a) ( Phot) diapositiva f, transparencia f, filmina f; (before n)slide projector — proyector m de diapositivas
slide show — proyección f de diapositivas
b) ( for microscope - glass plate) portaobjetos m; (- specimen) muestra f -
7 проектор
Большой англо-русский и русско-английский словарь > проектор
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8 Acres, Birt
SUBJECT AREA: Photography, film and optics[br]b. 23 July 1854 Virginia, USAd. 1918[br]American photographer, inventor and pioneer cinematographer.[br]Born of English parents and educated in Paris, Acres travelled to England in the 1880s. He worked for the photographic manufacturing firm Elliott \& Co. in Barnet, near London, and became the Manager. He became well known through his frequent lectures, demonstrations and articles in the photographic press. The appearance of the Edison kinetoscope in 1893 seems to have aroused his interest in the recording and reproduction of movement.At the beginning of 1895 he took his idea for a camera to Robert Paul, an instrument maker, and they collaborated on the building of a working camera, which Acres used to record the Oxford and Cambridge Boat Race on 30 March 1895. He filmed the Derby at Epsom on 29 May and the opening of the Kiel Canal in June, as well as ten other subjects for the kinetoscope, which were sold by Paul. Acres's association with Paul ended in July 1895. Acres had patented the camera design, the Kinetic Lantern, on 27 May 1895 and then went on to design a projector with which he gave the first successful presentation of projected motion pictures to take place in Britain, at the Royal Photographic Society's meeting on 14 January 1896. At the end of the month Acres formed his own business, the Northern Photographic Company, to supply film stock, process and print exposed film, and to make finished film productions.His first shows to the public, using the renamed Kineopticon projector, started in Piccadilly Circus on 21 March 1896. He later toured the country with his show. He was honoured with a Royal Command Performance at Marlborough House on 21 July 1896 before members of the royal family. Although he made a number of films for his own use, they and his equipment were used only for his own demonstrations. His last contribution to cinematography was the design and patenting in 1898 of the first low-cost system for amateur use, the Birtac, which was first shown on 25 January 1899 and marketed in May of that year. It used half-width film, 17.5 mm wide, and the apparatus served as camera, printer and projector.[br]Principal Honours and DistinctionsFellow of the Royal Photographic Society 1895.Bibliography27 May 1895 (the Kinetic Lantern).9 June 1898 (the Birtac).Further ReadingJ.Barnes, 1976, The Beginnings of the Cinema in England, London. B.Coe, 1980, The History of Movie Photography, London.BC -
9 Dickson, William Kennedy Laurie
SUBJECT AREA: Photography, film and optics[br]b. August 1860 Brittany, Franced. 28 September 1935 Twickenham, England[br]Scottish inventor and photographer.[br]Dickson was born in France of English and Scottish parents. As a young man of almost 19 years, he wrote in 1879 to Thomas Edison in America, asking for a job. Edison replied that he was not taking on new staff at that time, but Dickson, with his mother and sisters, decided to emigrate anyway. In 1883 he contacted Edison again, and was given a job at the Goerk Street laboratory of the Edison Electric Works in New York. He soon assumed a position of responsibility as Superintendent, working on the development of electric light and power systems, and also carried out most of the photography Edison required. In 1888 he moved to the Edison West Orange laboratory, becoming Head of the ore-milling department. When Edison, inspired by Muybridge's sequence photographs of humans and animals in motion, decided to develop a motion picture apparatus, he gave the task to Dickson, whose considerable skills in mechanics, photography and electrical work made him the obvious choice. The first experiments, in 1888, were on a cylinder machine like the phonograph, in which the sequence pictures were to be taken in a spiral. This soon proved to be impractical, and work was delayed for a time while Dickson developed a new ore-milling machine. Little progress with the movie project was made until George Eastman's introduction in July 1889 of celluloid roll film, which was thin, tough, transparent and very flexible. Dickson returned to his experiments in the spring of 1891 and soon had working models of a film camera and viewer, the latter being demonstrated at the West Orange laboratory on 20 May 1891. By the early summer of 1892 the project had advanced sufficiently for commercial exploitation to begin. The Kinetograph camera used perforated 35 mm film (essentially the same as that still in use in the late twentieth century), and the kinetoscope, a peep-show viewer, took fifty feet of film running in an endless loop. Full-scale manufacture of the viewers started in 1893, and they were demonstrated on a number of occasions during that year. On 14 April 1894 the first kinetoscope parlour, with ten viewers, was opened to the public in New York. By the end of that year, the kinetoscope was seen by the public all over America and in Europe. Dickson had created the first commercially successful cinematograph system. Dickson left Edison's employment on 2 April 1895, and for a time worked with Woodville Latham on the development of his Panoptikon projector, a projection version of the kinetoscope. In December 1895 he joined with Herman Casier, Henry N.Marvin and Elias Koopman to form the American Mutoscope Company. Casier had designed the Mutoscope, an animated-picture viewer in which the sequences of pictures were printed on cards fixed radially to a drum and were flipped past the eye as the drum rotated. Dickson designed the Biograph wide-film camera to produce the picture sequences, and also a projector to show the films directly onto a screen. The large-format images gave pictures of high quality for the period; the Biograph went on public show in America in September 1896, and subsequently throughout the world, operating until around 1905. In May 1897 Dickson returned to England and set up as a producer of Biograph films, recording, among other subjects, Queen Victoria's Diamond Jubilee celebrations in 1897, Pope Leo XIII in 1898, and scenes of the Boer War in 1899 and 1900. Many of the Biograph subjects were printed as reels for the Mutoscope to produce the "what the butler saw" machines which were a feature of fairgrounds and seaside arcades until modern times. Dickson's contact with the Biograph Company, and with it his involvement in cinematography, ceased in 1911.[br]Further ReadingGordon Hendricks, 1961, The Edison Motion Picture Myth.—1966, The Kinetoscope.—1964, The Beginnings of the Biograph.BCBiographical history of technology > Dickson, William Kennedy Laurie
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10 slide
1. past tense, past participle - slid; verb1) (to (cause to) move or pass along smoothly: He slid the drawer open; Children must not slide in the school corridors.) gli, skyve; skli, rutsje2) (to move quietly or secretly: I slid hurriedly past the window; He slid the book quickly out of sight under his pillow.) liste, smette2. noun1) (an act of sliding.) skliing, gliding; ras, skred2) (a slippery track, or apparatus with a smooth sloping surface, on which people or things can slide: The children were taking turns on the slide in the playground.) sklie, rutsjebane3) (a small transparent photograph for projecting on to a screen etc: The lecture was illustrated with slides.) lysbilde4) (a glass plate on which objects are placed to be examined under a microscope.) objekt-/preparatglass5) ((also hair-slide) a (decorative) hinged fastening for the hair.) hårspenne•- sliding doorlysbilde--------sklieIsubst. \/slaɪd\/1) gliding, skliing, aking2) isbane, kjelkebane, akebakke3) sklie, renne, rutsjebane4) ( fototeknikk) diapositiv, dias, lysbilde• do you have a slide projector?5) (på mikroskop, også microscope slide)objektglass, preparatglass6) ( på lanterne) skyveglass7) ( teknikk) skyver, løper, sleide, glidestykke8) ras, skred, steinsprang9) ( britisk) hårspenne10) ( på trekkbasun) uttrekk11) arbeidsslede, vedslede12) verdireduksjonII1) gli, skli, ake, rutsje2) smette, smyge3) la gli, skyte fart, sende bortover4) forverre gradvislet something slide ( overført) blåse i noe, være likegyldig til noe, la noe skure og gåslide into ( overført) (gradvis) forfalle til, gli inn islide over ( overført) gli over, streife, berøre lett -
11 slide
I [slaɪd]1) (chute) (in playground, factory; for logs) scivolo m.; (on ice) lastra f., lastrone m.2) fot. diapositiva f.3) (microscope plate) vetrino m.4) BE (hair clip) fermacapelli m., fermaglio m.5) mus. (slur) portamento m.6) mus. (of trombone) coulisse f.7) fig. (decline) diminuzione f., ribasso m. (in di)II 1. [slaɪd]2.to slide sth. forward — fare scivolare o scorrere qcs. in avanti
verbo intransitivo (pass., p.pass. slid)1) (anche slide about, BE slide around) (slip) [ car] sdrucciolare; [ person] scivolareto slide off — scivolare o cadere da [roof, table]; uscire di, andare fuori [ road]
2) (move)to slide down — scivolare giù per [ slope]
to slide in and out — [drawer, component] scorrere
to slide up and down — [ window] scorrere su e giù
to slide out of — uscire furtivamente da [ room]; infilarsi in, uscire da [ seat]
to let sth. slide — fig. lasciare andare alla deriva qcs
•* * *1. past tense, past participle - slid; verb1) (to (cause to) move or pass along smoothly: He slid the drawer open; Children must not slide in the school corridors.) scivolare2) (to move quietly or secretly: I slid hurriedly past the window; He slid the book quickly out of sight under his pillow.) far scivolare2. noun1) (an act of sliding.) scivolata2) (a slippery track, or apparatus with a smooth sloping surface, on which people or things can slide: The children were taking turns on the slide in the playground.) scivolo3) (a small transparent photograph for projecting on to a screen etc: The lecture was illustrated with slides.) diapositiva4) (a glass plate on which objects are placed to be examined under a microscope.) vetrino5) ((also hair-slide) a (decorative) hinged fastening for the hair.) molletta, fermacapelli•- sliding door* * *slide /slaɪd/n.1 scivolata; scivolone; sdrucciolone3 (mecc.) scorrimento5 (fotogr.) diapositiva: a lecture with slides, una conferenza con proiezione di diapositive; slide projector, proiettore per diapositive; diascopio11 (mecc.) slitta; parte scorrevole; corsoio15 (fig.) scivolata, scivolone ( di una moneta); slittamento ( di prezzi); tracollo: ( Borsa) big slide, scivolone; to halt the economic slide, frenare il tracollo dell'economia22 (pl.) (mus.) note scivolate● (mecc.) slide bar, asta di guida □ slide caliper, calibro a corsoio □ (comput., Internet) slide deck, presentazione □ ( sport) slide defence, difesa scorrevole □ slide fastener, chiusura lampo; (la) lampo (fam.) □ slide knot, nodo scorsoio □ ( canottaggio) slide rail, guida di scorrimento □ ( pesca) slide rod, canna con anima metallica regolabile □ slide rule, regolo calcolatore □ slide-rule precision, precisione millimetrica □ slide runner = slide rail ► sopra □ slide show ► slideshow □ ( calcio, ecc.) slide tackle, entrata (o intervento) in scivolata □ slide tray, caricatore ( di diascopio) □ (mecc.) slide valve, valvola a cassetto, cassetto di distribuzione; valvola a saracinesca □ (autom.) to go into a slide, prendere una sbandata; sbandare ( sul bagnato, ecc.): The car went into a slide on the ice, sul ghiaccio la macchina ha sbandato □ to be on the slide, essere in discesa (o in diminuzione, in calo).♦ (to) slide /slaɪd/(pass. e p. p. slid)A v. i.1 scivolare ( anche fig.); sdrucciolare: Mr Pickwick's friends were sliding on the ice, gli amici di Mr Pickwick scivolavano sul ghiaccio; The sword slid from his hand, la spada gli è scivolata di manoB v. t.1 far scivolare; far scorrere: DIALOGO → - Explaining how to do something- Gently slide the cartridge out, sfila delicatamente la cartuccia; to slide a coin into sb. 's hand, far scivolare una moneta in mano a q.2 infilare: to slide a coin into a slot-machine, infilare una moneta in un distributore automatico; She slid the key into her bag, s'infilò la chiave nella borsetta● (mus.) to slide from one note to another, eseguire note scivolate □ to slide on one's back, cadere sulla schiena scivolando □ to let st. slide, lasciare peggiorare (o deteriorare) qc.; lasciare andare a rotoli qc. NOTA D'USO: - to slide o to slip?-.* * *I [slaɪd]1) (chute) (in playground, factory; for logs) scivolo m.; (on ice) lastra f., lastrone m.2) fot. diapositiva f.3) (microscope plate) vetrino m.4) BE (hair clip) fermacapelli m., fermaglio m.5) mus. (slur) portamento m.6) mus. (of trombone) coulisse f.7) fig. (decline) diminuzione f., ribasso m. (in di)II 1. [slaɪd]2.to slide sth. forward — fare scivolare o scorrere qcs. in avanti
verbo intransitivo (pass., p.pass. slid)1) (anche slide about, BE slide around) (slip) [ car] sdrucciolare; [ person] scivolareto slide off — scivolare o cadere da [roof, table]; uscire di, andare fuori [ road]
2) (move)to slide down — scivolare giù per [ slope]
to slide in and out — [drawer, component] scorrere
to slide up and down — [ window] scorrere su e giù
to slide out of — uscire furtivamente da [ room]; infilarsi in, uscire da [ seat]
to let sth. slide — fig. lasciare andare alla deriva qcs
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12 slide
1. intransitive verb,1) rutschen; [Kolben, Schublade, Feder:] gleiten2) (glide over ice) schlittern3) (move smoothly) gleiten4) (fig.): (take its own course)2. transitive verb,let something/things slide — etwas/die Dinge schleifen lassen (fig.)
1) schieben2) (place unobtrusively) gleiten lassen3. noun1) (Photog.) Dia[positiv], das3) see academic.ru/102496/hairslide">hairslide4) (fig.): (decline)5) (for microscope) Objektträger, der* * *1. past tense, past participle - slid; verb1) (to (cause to) move or pass along smoothly: He slid the drawer open; Children must not slide in the school corridors.) schlittern2) (to move quietly or secretly: I slid hurriedly past the window; He slid the book quickly out of sight under his pillow.) gleiten (lassen)2. noun1) (an act of sliding.) das Schlittern2) (a slippery track, or apparatus with a smooth sloping surface, on which people or things can slide: The children were taking turns on the slide in the playground.) die Rutsche3) (a small transparent photograph for projecting on to a screen etc: The lecture was illustrated with slides.) das Dia4) (a glass plate on which objects are placed to be examined under a microscope.) der Objektträger5) ((also hair-slide) a (decorative) hinged fastening for the hair.) die Spange•- slide-rule- sliding door* * *[slaɪd]I. vi<slid, slid>to \slide down the hill/banisters den Hügel/das Geländer herunterrutschen3. (decline in value) currency sinken4. (get into)to \slide into chaos in ein Chaos geratento \slide back into one's old habits in seine alten Gewohnheiten zurückfallento \slide into recession in die Rezession abrutschento \slide into war in einen Krieg schlittern5. ( fig)to let sth/things \slide etw/die Dinge schleifen lassenII. vt<slid, slid>can you \slide your seat forward a little? können Sie mit Ihrem Sitz etwas nach vorne rutschen?he slid the drawer in er schob die Schublade zushe slid the hatch open sie schob die Luke aufIII. nearth \slide Erdrutsch mmud/rock \slide Schlamm-/Felslawine fwhat we are witnessing is a country's slow \slide into civil war wir beobachten im Moment, wie ein Land allmählich in einen Bürgerkrieg schlittert* * *[slaɪd] vb: pret, ptp slid [slɪd]1. n5) (TECH: part) gleitendes Teil, Schlitten ma lecture with slides — ein Diavortrag m, ein Lichtbildervortrag m
2. vt(= push) schieben; (= slip) gleiten lassenhe slid the gun into the holster — er ließ den Revolver ins Halfter gleiten
to slide the drawer ( back) into place — die Schublade (wieder) zurückschieben
3. vi1) (= slip) rutschen2) (= move smoothly machine part etc) sich schieben lassenit slid into its place — es glitt or rutschte an die richtige Stelle
3) (person) schleichenhe slid into the room — er kam ins Zimmer geschlichen
4) (fig)to let sth slide — etw schleifen lassen, etw vernachlässigen
* * *slide [slaıd]A v/i prät slid [slıd], pperf slid, obs slidden [ˈslıdn]1. gleiten (auch Riegel etc), rutschen:a) herunter- oder hinunterrutschen, -gleiten,slide from entgleiten (dat);let things slide fig die Dinge laufen lassen2. (aus)gleiten, (-)rutschen3. (auf Eis) schlittern4. gleiten, schlüpfen:B v/t1. gleiten lassen, schieben:slide one’s hand into one’s pocket3. MUS hinüberziehenC s1. Rutschen n, Gleiten n2. Schlittern n (auf Eis)3. a) Schlitterbahn fb) Rodelbahn f4. Erd-, Fels-, Schneerutsch m6. TECHa) Schieber mb) Schlitten m (einer Drehbank etc)c) Führung f7. Objektträger m (am Mikroskop)8. Schieber m (eines Rechenschiebers)9. FOTO Dia(positiv) n:slide lecture Lichtbildervortrag m;slide projector Diaprojektor m;slide viewer Diabetrachter m10. MIL Visierschieber m11. MUSa) Schleifer m (Verzierung)b) Hinüberziehen n (zwischen Tönen)c) Zug m (der Posaune etc)12. Br (Haar) Spange f* * *1. intransitive verb,1) rutschen; [Kolben, Schublade, Feder:] gleiten2) (glide over ice) schlittern3) (move smoothly) gleiten4) (fig.): (take its own course)2. transitive verb,let something/things slide — etwas/die Dinge schleifen lassen (fig.)
1) schieben2) (place unobtrusively) gleiten lassen3. noun1) (Photog.) Dia[positiv], das4) (fig.): (decline)5) (for microscope) Objektträger, der* * *(photography) n.Dia -s n. n.Rutsch -en m.Rutschbahn f.Rutsche -n f. v.(§ p.,p.p.: slid)= abgleiten v.gleiten v.(§ p.,pp.: glitt, ist geglitten)rutschen v.schieben v.(§ p.,pp.: schob, geschoben) -
13 Muybridge, Eadweard
SUBJECT AREA: Photography, film and optics[br]b. 9 April 1830 Kingston upon Thames, Englandd. 8 May 1904 Kingston upon Thames, England[br]English photographer and pioneer of sequence photography of movement.[br]He was born Edward Muggeridge, but later changed his name, taking the Saxon spelling of his first name and altering his surname, first to Muygridge and then to Muybridge. He emigrated to America in 1851, working in New York in bookbinding and selling as a commission agent for the London Printing and Publishing Company. Through contact with a New York daguerreotypist, Silas T.Selleck, he acquired an interest in photography that developed after his move to California in 1855. On a visit to England in 1860 he learned the wet-collodion process from a friend, Arthur Brown, and acquired the best photographic equipment available in London before returning to America. In 1867, under his trade pseudonym "Helios", he set out to record the scenery of the Far West with his mobile dark-room, christened "The Flying Studio".His reputation as a photographer of the first rank spread, and he was commissioned to record the survey visit of Major-General Henry W.Halleck to Alaska and also to record the territory through which the Central Pacific Railroad was being constructed. Perhaps because of this latter project, he was approached by the President of the Central Pacific, Leland Stanford, to attempt to photograph a horse trotting at speed. There was a long-standing controversy among racing men as to whether a trotting horse had all four hooves off the ground at any point; Stanford felt that it did, and hoped than an "instantaneous" photograph would settle the matter once and for all. In May 1872 Muybridge photographed the horse "Occident", but without any great success because the current wet-collodion process normally required many seconds, even in a good light, for a good result. In April 1873 he managed to produce some better negatives, in which a recognizable silhouette of the horse showed all four feet above the ground at the same time.Soon after, Muybridge left his young wife, Flora, in San Francisco to go with the army sent to put down the revolt of the Modoc Indians. While he was busy photographing the scenery and the combatants, his wife had an affair with a Major Harry Larkyns. On his return, finding his wife pregnant, he had several confrontations with Larkyns, which culminated in his shooting him dead. At his trial for murder, in February 1875, Muybridge was acquitted by the jury on the grounds of justifiable homicide; he left soon after on a long trip to South America.He again took up his photographic work when he returned to North America and Stanford asked him to take up the action-photography project once more. Using a new shutter design he had developed while on his trip south, and which would operate in as little as 1/1,000 of a second, he obtained more detailed pictures of "Occident" in July 1877. He then devised a new scheme, which Stanford sponsored at his farm at Palo Alto. A 50 ft (15 m) long shed was constructed, containing twelve cameras side by side, and a white background marked off with vertical, numbered lines was set up. Each camera was fitted with Muybridge's highspeed shutter, which was released by an electromagnetic catch. Thin threads stretched across the track were broken by the horse as it moved along, closing spring electrical contacts which released each shutter in turn. Thus, in about half a second, twelve photographs were obtained that showed all the phases of the movement.Although the pictures were still little more than silhouettes, they were very sharp, and sequences published in scientific and photographic journals throughout the world excited considerable attention. By replacing the threads with an electrical commutator device, which allowed the release of the shutters at precise intervals, Muybridge was able to take series of actions by other animals and humans. From 1880 he lectured in America and Europe, projecting his results in motion on the screen with his Zoopraxiscope projector. In August 1883 he received a grant of $40,000 from the University of Pennsylvania to carry on his work there. Using the vastly improved gelatine dry-plate process and new, improved multiple-camera apparatus, during 1884 and 1885 he produced over 100,000 photographs, of which 20,000 were reproduced in Animal Locomotion in 1887. The subjects were animals of all kinds, and human figures, mostly nude, in a wide range of activities. The quality of the photographs was extremely good, and the publication attracted considerable attention and praise.Muybridge returned to England in 1894; his last publications were Animals in Motion (1899) and The Human Figure in Motion (1901). His influence on the world of art was enormous, over-turning the conventional representations of action hitherto used by artists. His work in pioneering the use of sequence photography led to the science of chronophotography developed by Marey and others, and stimulated many inventors, notably Thomas Edison to work which led to the introduction of cinematography in the 1890s.[br]Bibliography1887, Animal Locomotion, Philadelphia.1893, Descriptive Zoopraxography, Pennsylvania. 1899, Animals in Motion, London.1901, The Human Figure in Motion, London.Further Reading1973, Eadweard Muybridge: The Stanford Years, Stanford.G.Hendricks, 1975, Muybridge: The Father of the Motion Picture, New York. R.Haas, 1976, Muybridge: Man in Motion, California.B.Coe, 1992, Muybridge and the Chromophoto-graphers, London.BC -
14 Paul, Robert William
[br]b. 3 October 1869 Highbury, London, Englandd. 28 March 1943 London, England[br]English scientific instrument maker, inventor of the Unipivot electrical measuring instrument, and pioneer of cinematography.[br]Paul was educated at the City of London School and Finsbury Technical College. He worked first for a short time in the Bell Telephone Works in Antwerp, Belgium, and then in the electrical instrument shop of Elliott Brothers in the Strand until 1891, when he opened an instrument-making business at 44 Hatton Garden, London. He specialized in the design and manufacture of electrical instruments, including the Ayrton Mather galvanometer. In 1902, with a purpose-built factory, he began large batch production of his instruments. He also opened a factory in New York, where uncalibrated instruments from England were calibrated for American customers. In 1903 Paul introduced the Unipivot galvanometer, in which the coil was supported at the centre of gravity of the moving system on a single pivot. The pivotal friction was less than in a conventional instrument and could be used without accurate levelling, the sensitivity being far beyond that of any pivoted galvanometer then in existence.In 1894 Paul was asked by two entrepreneurs to make copies of Edison's kinetoscope, the pioneering peep-show moving-picture viewer, which had just arrived in London. Discovering that Edison had omitted to patent the machine in England, and observing that there was considerable demand for the machine from show-people, he began production, making six before the end of the year. Altogether, he made about sixty-six units, some of which were exported. Although Edison's machine was not patented, his films were certainly copyrighted, so Paul now needed a cinematographic camera to make new subjects for his customers. Early in 1895 he came into contact with Birt Acres, who was also working on the design of a movie camera. Acres's design was somewhat impractical, but Paul constructed a working model with which Acres filmed the Oxford and Cambridge Boat Race on 30 March, and the Derby at Epsom on 29 May. Paul was unhappy with the inefficient design, and developed a new intermittent mechanism based on the principle of the Maltese cross. Despite having signed a ten-year agreement with Paul, Acres split with him on 12 July 1895, after having unilaterally patented their original camera design on 27 May. By the early weeks of 1896, Paul had developed a projector mechanism that also used the Maltese cross and which he demonstrated at the Finsbury Technical College on 20 February 1896. His Theatrograph was intended for sale, and was shown in a number of venues in London during March, notably at the Alhambra Theatre in Leicester Square. There the renamed Animatographe was used to show, among other subjects, the Derby of 1896, which was won by the Prince of Wales's horse "Persimmon" and the film of which was shown the next day to enthusiastic crowds. The production of films turned out to be quite profitable: in the first year of the business, from March 1896, Paul made a net profit of £12,838 on a capital outlay of about £1,000. By the end of the year there were at least five shows running in London that were using Paul's projectors and screening films made by him or his staff.Paul played a major part in establishing the film business in England through his readiness to sell apparatus at a time when most of his rivals reserved their equipment for sole exploitation. He went on to become a leading producer of films, specializing in trick effects, many of which he pioneered. He was affectionately known in the trade as "Daddy Paul", truly considered to be the "father" of the British film industry. He continued to appreciate fully the possibilities of cinematography for scientific work, and in collaboration with Professor Silvanus P.Thompson films were made to illustrate various phenomena to students.Paul ended his involvement with film making in 1910 to concentrate on his instrument business; on his retirement in 1920, this was amalgamated with the Cambridge Instrument Company. In his will he left shares valued at over £100,000 to form the R.W.Paul Instrument Fund, to be administered by the Institution of Electrical Engineers, of which he had been a member since 1887. The fund was to provide instruments of an unusual nature to assist physical research.[br]Principal Honours and DistinctionsFellow of the Physical Society 1920. Institution of Electrical Engineers Duddell Medal 1938.Bibliography17 March 1903, British patent no. 6,113 (the Unipivot instrument).1931, "Some electrical instruments at the Faraday Centenary Exhibition 1931", Journal of Scientific Instruments 8:337–48.Further ReadingObituary, 1943, Journal of the Institution of Electrical Engineers 90(1):540–1. P.Dunsheath, 1962, A History of Electrical Engineering, London: Faber \& Faber, pp.308–9 (for a brief account of the Unipivot instrument).John Barnes, 1976, The Beginnings of Cinema in Britain, London. Brian Coe, 1981, The History of Movie Photography, London.BC / GW
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